The World of Russian Language and Culture: Made in Russia. Palekh miniature

Прилетела под утро Жар-птица,

Уронив золотое перо.

Прискакала к воде кобылица -

Из-под ног чистых брызг серебро.

И рассветные краски не резки,

Еле видные, как на слюде,

Отражаются лики и фрески

В красноватой ольховой воде.

Жар-перо всех вокруг опалило.

Краски Палеха не перенять.

Византийская мощная сила

Продолжает на русских влиять.

Закупив на восточном базаре

Охры красной и охры янтарь,

Лазуриты и медные яри,

Огнегривую киноварь.

И в орнаменте, в травах и листьях

Мастер прячет секреты хитро,

Самой тонкою беличьей кистью

Пишет золотом «в полуперо».

Полетят тонконогие тройки

По шкатулкам, как по облакам.

Православные храмы, пророки

Вновь вернулись к родным берегам.

Любовь Городскова

Palekh miniature is a Russian folk handicraft of a miniature painting, which is done with tempera paints on varnished articles made of papier-mâché (small boxes, cigarette and powder cases etc.).

A scene from the fairy tale "Tsarevitch Ivan, the Fire Bird and the Gray Wolf"

Palekh Russian lacquer art on papier-mâché first appeared in 1923 in the village of Palekh, located in the Palekhsky District (Ivanovo Oblast), and is based on a long local history of icon painting. This handicraft and style of miniature painting bore different names throughout its development, such as the Palekh Artel of Ancient Painting (since 1924), Palekh Artists’ Association (since 1932), and Artistic Production Workshops of the Artistic Fund of the USSR (since 1953).

Ivan Ivanovich Golikov (1886–1937)

The Third International. Miniature on a round lacquered plate.

1927

The technology of making a semi-finished product was borrowed from the lacquer handicraft masters of Fedoskino (see Fedoskino miniature). The Palekh miniatures usually represent characters from real life, literary works, fairy tales, bylinas, and songs. They are painted with local bright paints over the black background and are known for their delicate and smooth design, abundance of golden shading, and accurate silhouettes of flattened figures, which often cover the surface of the lids and sides of the articles completely. Poetic magic of the Palekh characters, decorativeness of landscapes and architecture, and elongated proportions of the figures go back to the icon-painting traditions. The miniatures are usually set off with a complicated pattern made with gold dissolved in aqua regia. Palekh is the most renowned of four such famous villages, the others being Kholuy, Mstyora, and Fedoskino, each producing similar, but clearly distinct artistic style.

Ivan Ivanovich Golikov (1886–1937)

Troika with wolves. Miniature on a cigarette case

1924

The art of miniature painting is still alive today. Nowadays there are workshops of the Artistic Fund of Russia, as well as small private studios and independent artists in Palekh. Palekh miniature artists are trained at the Palekh Art College founded in 1935.

Ivan Mikhailovich Bakanov (1870-1936)

Village of Palekh

1934

Works by Palekh masters are kept in numerous museums of Russia and abroad. The State Palekh Art Museum in Palekh boasts the biggest miniature painting collection, comprising over two thousand works.

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https://en.wikipedia.org

http://palekh.narod.ru/pal-eng.htm

http://www.museum.ru/palekh/defrus.htm

http://www.iconostas.ru/

http://www.litprichal.ru/